Who Decides the Culture of Our Time? Us or Future Generations?

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What is culture? Well, it’s complicated. We seem to have cultures within cultures, within cultures, and it only seems to be getting more complex and difficult to define. To my understanding, it’s the art, music, food, aesthetic, values and beliefs of a particular group of people, at a particular time in history. Culture is not static, it is ever changing along with the people who are immersed in it. It is people that decide culture. They decide what changes and what doesn’t. What parts to keep and what parts to discard, and what new ideas to include. Culture tends to shift from one generation to the next as each group of youth challenges the ideas and values of their Parent’s generation. Let’s also not ignore how our history has shown us our potential for self proclaimed superiority over another culture. An people of one culture may all but eradicate the culture of another in order to grow their own, in the name of righteousness, or progress. People have done horrific things in the name of expanding their beliefs and way of life. Culture continues to adapt over time, whether we cling to the past or not. To be cultured is to be enlightened, educated and knowledgable about the time in which we live. When we describe someone as cultured we often mean they are refined, well educated and have good taste, whatever that is, from one moment to the next?

It is interesting to me that something that is clearly so deeply valued by people, is made up of components such as art, books and music that never seem to get the recognition, validation or support they require to sustain themselves. People fight to preserve and maintain art, books and music with fierce protectiveness. We put it in museums and libraries, display it in our homes and public buildings. We spend immense amounts of money keeping it safe. We talk about it, write about it and make documentary films about it. Yet, most of the people I know who are making art, music and writing books are are struggling for recognition and to make a living wage. Centuries and centuries of people creating the art, music and books that are the essence of the culture of the time in which they were created with little to no real appreciation or support while they were actually alive and creating. Why is this? And why does it still continue to happen today?

Well, the simple answer to my mind, is that people can’t seem to see past the end of their own noses, and hind-sight is 20/20. The more complicated answer is that art captures the essence of culture in a moment in time and nobody is fully aware of what precisely the culture is while they are living it. They are quite literally caught up in the moment and continual upheaval and evolution of culture and not aware of what will be significant to their cultural time until they look back and see it clearly portrayed through the great artistic minds of the time. Nobody knew Woodstock, just a three day music festival in a farmer’s field would become the climax of what would be later known as a defining moment in our history and significant cultural marker of the 1960’s. Many of the performers that played Woodstock, like Joe Cocker (Have a Little Help From My Friends) and Crosby, Stills, Nash (and Young) (It was only their second time ever playing live), were barely known at the time and they were catapulted to stardom and cultural significance. What about all the creative minds who defined our cultural history? I would love to go back in time and ask Socrates, Mozart and Frida Kahlo about their life experience and whether or not they felt valued and supported by their community in their artistic endeavours? Books, documentaries and essays about their lives seem to suggest that no, they did not in fact get that support when they needed it. They struggled significantly and did not get the recognition they truly deserved until well after they were dead. They were not appreciated fully until they were gone. But yet, they still created because they were compelled to do so. Their work allowed them to process and understand the world around them and helped them make sense of living, even if they felt isolated and found it difficult to relate to the masses.

The truth is, that all art, music and writing is capturing the essence of culture as it is happening. It would be impossible not to. We are all living it and all trying to make sense of what is going on around us and within us, and the artistic community is often slightly removed from mainstream culture and being on the fringe tends to give one a better vantage point to see what is actually going on around them. We are a product of our time and the culture that exists at that time, and no matter when in history we are, culture is constantly in flux, so it can be very confusing and difficult to make sense of. Joan Didion, an American journalist and writer, famous for her writing in the 1960’s-70’s about cultural chaos and social fragmentation said, “I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear.” I couldn’t agree more. I don’t think it’s a coincidence that the music, art and writing of the 1960’s resonates so deeply with me as an artist and writer myself given all the cultural parallels to our current time. The cultural chaos that Joan Didion wrote about reflected a time of deep generational divide in values, major political upheaval, the threat of war, and ramped up racial discrimination and civil rights activism. Today we are facing all of the same issues in different packaging. In the 60’s women were burning their bras, today we attend the Women’s March and hashtag #timesup on social media in support of equal pay for women. The Black Panther Party was created in 1966 to protect African American citizens from police brutality, today we have the Black Lives Matter activist movement. In the 60’s, an entire generation challenged the status quo, railing against the rigid family structure and cultural values of the 1950s’, conservative, religious, hard-working middle class. They rejected old cultural structures, preferring freedom, less lifestyle restrictions, less materialism, and embraced eastern philosophy, spirituality and the recreational use of marijuana. Today, we have the millennial generation rejecting old political and social structures and values, fighting for a better quality of life with less emphasis on material gain, the ability to love who they want and define themselves as they wish. Again, eastern philosophy and spiritual practices are being embraced in an even bigger way and marijuana is back in popular culture with the use of CBD Oil (Cannabis Based Drug) on the rise in the medical industry and the legalization of Cannabis for medical use in the U.S. in 29 States already and Canada slated to legalize this year. The parallel’s between the 1960’s and today are uncanny. There are song lyrics and magazine articles written from that time in history that could easily have been written today.

Culture is continually changing and reflecting the social issues and values of the time, but I would argue that people have changed very little. While our world looks very different now in terms of infrastructure and population growth, and technology changing the world dramatically, the human condition is ticking along slowly like it somehow has not learned from itself at all. We are still walking around blind and reactionary to the shifting cultural values as they happen before our eyes and not valuing and supporting the artistic community that is capturing it as it happens until we look back years later and it’s often too late to support them. Joan Didion also wrote “In theory momentos serve to bring back the moment. In fact they serve only to make clear how inadequately I appreciated the moment when it was here.” If you have ever read any of my previous writing, you’ll know that I am a big believer in self examination, personal evolution and intentional living. A big part of this is evaluating how much we have learned from our past and what we choose to do differently as a result. What if we didn’t wait for hind-sight to show us what is culturally relevant and what artists, musicians and writers we should have supported while they were giving all of themselves to their generation? What if we decided for ourselves what is relevant right now? What if we took the reins and intentionally voted with our dollars and our attention what we want to go down in history? What if we didn’t wait for our children and grandchildren to decide what was culturally relevant from our generation, but instead, we stood back, saw the bigger picture and realized the pattern that has shown us again and again that it’s the people challenging the status quo who define the culture of the time? Those fringe artists are right on the pulse of the cultural shift and the cusp of change is right there captured within their art for all to see. If they bother to look. What if we got on board early and supported that change instead of sitting back and watching where the pieces fall?

So, how do we do that? Well, we can start by acknowledging how important art, music and writing is to society! Show me a home that you would like to live in that has no books, music or art displayed? A home void of those things is a sad place indeed. You have an opinion and taste of your own. Don’t wait for the masses to decide for you what is good and culturally significant. Go watch local bands play and buy their music. Find them on Spotify, listen to them in your home and tell your friends about them. Check out a local market or festival and purchase art from artists and makers in your own city. Ask them about their work when you are face to face with them. Buy books directly from Author’s websites or their booth at conventions where they receive all of the money, not just a tiny percentage that they get when they sell at big book stores like Chapters. The people who are quite literally capturing and defining our current culture should be able to make a living wage and support themselves at the very least. They are doing good, important work for their community and I think it’s time we recognized it. Why do we need to continue to wait for future generations to decide for us what was culturally relevant during our generation? We have a role in history and we have the opportunity to spend our money on the things we want more of in our world and support the things we think are important. The painting you bought that’s a sanitized knock off of a knock off from Winners will have no cultural relevance or significance in history, but that little book you buy off of an Author’s table at a market could turn out to be the next great philosophical work of our time. That writer could be the Socrates of the the Twenty-first century, and you would have been part of that greatness for supporting it and making it possible for her to continue her work. That kid you watched play his guitar and sing at a little folk festival in a small town, could be the next Bob Dylan and his songs might go down in history as some of the most influetial words of the 2010’s. You never know, but at any given moment, you could be supporting an incredible mind and creative genius, and have a part to play in changing the world as we know it. At the very least, you will be woven into the cultural fabric of an important moment in human history, and I think that is more than worth your attention.

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Hustle & Bustle/Downriver House, 2016 by Bruno Canadien

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The Vessel by David Altmejd

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The Vessel by David Altmejd

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SHIELD, 2017 by Caroline Monnet

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PHOTOGRAPHY BY: Joey Senft

STYLING, HAIR & MAKEUP BY: Tara Cole-McCaffrey, Patron of Dreams

NEW FASHION: Black wool tam from The Haberdashery. Nude bodysuit by American Apparel. Fringe earrings made with salvaged materials by The Salvage Heart.

THRIFTED FASHION: Gold snake belt and wide leg checkered pants.

VINTAGE FASHION: Pink satin coat from Shop Take Care. Red embroidered shoes from Wildwoodrose and PJ Vintage.

LOCATION: Winnipeg Art Gallery, *INSURGENCE/RESURGENCE

*INSURGENCE/RESURGENCE brings together 29 emerging-to-established Indigenous artists who are pushing boundaries with their work. The collection considers political insurgency and cultural resurgence to radically shift our understanding of Canada, now and in the future. Working in a variety of media, the artists focus on Indigenous intergenerational cultural knowledge within land based practices, gender, traditional aesthetics, language revitalization, interconnected kinships, identity, and material culture. INSURGENCE/RESURGENCE is the WAG’s largest-ever exhibition of contemporary Indigenous art and includes 12 new commissions from artists across Canadian territories and nations. –Winnipeg Art Gallery Website

 

The Wild Within Us

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“A human being is a part of the whole called by us universe, a part limited in time and space. He experiences himself, his thoughts and feeling as something separated from the rest, a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty.”
― Albert Einstein

“Like the wolf, intuition has claws that pry things open and pin things down, it has eyes that can see through the shields of persona, it has ears that hear beyond the range of mundane human hearing. With these formidable psychic tools a woman takes on a shrewd and even precognitive animal consciousness, one that deepens her femininity and sharpens her ability to move confidently in the outer world.”
― Clarissa Pinkola Estés, Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype

One of the greatest and most unfortunate misconceptions that has ever been instilled within human kind is the belief that we are somehow separate and disconnected from the natural world. You can take the beast out of the wilderness, but you cannot take the wilderness out of the beast. We are mammals at a core cellular and instinctual level and the denial of this has not made us more civilized, on the contrary, I believe it has made us forget our innate humanity.

I would argue that our understanding of our deep connection and responsibility to one another as human beings is intrinsically linked to our understanding of our connection and responsibility to mother nature. As with all things, I believe that to truly understand something and learn its value, exposure is essential. In our civilized western world, we live in concrete jungles, surrounded by synthetic materials with walls and doors keeping us separated from the wilderness from which we came. Entire generations of children are born and grow up without ever having set foot in the woods. If they are lucky, big city kids may spend the odd day in a green space or man-made park that neatly fits into a tidy area of well-planned order. While that’s better than nothing, there’s nothing natural about it. Nature is wild, chaotic, powerful, uncontrollable and breathtakingly beautiful. Much like some of my favourite women! Nature feeds you, clothes you, rips you apart and heals you again. She will warm you, clean you and sing you to sleep. She will remind you of the blood in your veins and the bone that keeps you upright. She will breath soft breath on your cheek and kiss your skin golden today, then make you bleed tomorrow. She reminds you again and again and again that you are alive.

To walk in the wilderness, is to feel that you are connected to everything and everyone. It reminds you that you have a place inside the glorious web of life. You are a part of something much bigger than yourself and you are integral.  You are a creator and destroyer. You are a lover or a havoc wreaker with every decision and move that you make. Do not be fooled by the concrete world you have built around you, you have impact. Just because you cannot see the majesty of the wilderness in front of you, does not mean that she is not there. You are a part of her and she sees you and feels your impact always.

I have been very fortunate in my life to have never lost my connection with nature. I was raised to marvel at the beauty of the stars and the moon. I was taught to be still and let my senses guide me. I learned to notice the signs of other life and the stories they tell. The footprints in the snow and fur on a branch. The spider webs that tell you winter is coming and robin’s song that sings of spring. The hairs on the back of your neck that stand on end warning you of danger, and circling crows that tell a tale of recent death. I in turn, pass this knowledge on to my children. They collect mushrooms in the spring and berries in the summer. They swim in cool waters and climb jagged rocks. They know that the dirt in the forest is clean and the dirt in the city is not. They collect bones, antlers and stones on the forest floor and call them treasures. They will tell their friends in the city that they saw a fox, deer, snake and bald eagle this weekend. They will grow up with freckles on their cheeks, leaves in their hair and scratches on their knees, and they will know that this means they are healthy and strong. They will know they are connected to all life and that they belong. They will know that if they are to reap the rewards of the natural world, they must respect her and protect her. They will learn who they are, while lying in soft moss under the shade of forest canopy, and there is nothing more beautiful or meaningful than that.

PHOTOGRAPHY BY: Michael Sanders, Electric Monk Media

STYLING, HAIR & MAKEUP BY: Tara Cole-McCaffrey, Patron of Dreams

CURRENT FASHION: Boots by Sorel Footwear

VINTAGE FASHION: Green coat from Found on Corydon (Metalphysical Moon). Thrifted pants, skirt, top and belt.

JEWELLERY BY: Sheppards Hook Jewellery (Antler and stone rings; Antler/porcupine quill earrings; Antler/moss stud earrings; Antler, stone, and beaded necklaces)

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I am an advocate for anything that connects us to and reminds us of nature, which is why I fell in love with Sheppards Hook Jewellery! Locally made right here in Winnipeg, Manitoba by Katie, an extremely talented creator! Each piece is made with organic and found materials and is one of a kind. A wonderful way to carry an artistically crafted piece of mother nature with you, even in the hustle of city life. I highly recommend getting yourself one of these pieces of wearable art. Katie’s creations are absolute statement pieces and conversation starters. They are both beautiful and ethically made with sustainable organic materials, and you get to support a small Canadian business in the process! Win, win, win! Sheppards Hook Jewellery will be launching their website on SATURDAY, MAY 19, 10 a.m. CST! Stay tuned to shop on-line (Canada only for now) and don’t miss out, her pieces move fast!

WHO IS SHEPPARDS HOOK?

Sheppards Hook jewellery has a wild, rustic expression for environmentally conscious individuals who strive to attain a bold, unique look that sets them apart from the crowd. Each piece is hand-crafted for a natural, artistic feel using naturally-shed white-tailed deer antler from the forests of Manitoba. This local maker is passionate about creating bold statement pieces for strong women with a refined use of colour and texture. Collections are accented using brass, high quality gemstones and other elements of nature such as porcupine quill. Get in touch with your inner wild woman when you adorn these one-of-a-kind pieces of art.

With strong roots in art and nature, Katie began taking Fine Arts and Biology at the University of Manitoba in 2005. She has always combined the two passions to create pieces of art inspired by the natural world around her. This shows in her wild, prairie-inspired jewellery.

Katie has been selling at various markets, festivals and pop-up shows since 2010.”

– Sheppards Hook Jewellery Website

WHERE CAN I BUY SHEPPARDS HOOK JEWELLERY?

Currently Sheppards Hook is sold at the following locations:

  • Winnipeg – Voila par Andreanne (303-421 Mulvey Ave)
  • Winnipeg – WAG @ The Forks (Johnston Terminal)
  • Winnipeg – Tara Davis Boutique (246 McDermot Ave)
  • Kenora – Fragile Glass Studio (529 3rd Ave)

Sheppards Hook will be at the following festivals and pop-ups in 2018 (more to be announced soon!)

  • Winnipeg Folk Festival – July 5-8 2018
  • Edmonton Folk Festival – August 9-12 2018
  • Third + Bird Spring Pop-Up – May 4-5 2018
  • St. Norbert Farmer’s Market – Every Saturday, starting May 19th 2018

MUSIC *S.O.S (since 1962)

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Dearly beloved, we are gathered here today to                                                                                                              get through this thing called life. *1                               

What have they done to the earth?
What have they done to our fair sister?
Ravaged and plundered and ripped her and bit her
Stuck her with knives in the side of the dawn
And tied her with fences and dragged her down
I hear a very gentle sound
With your ear down to the ground
We want the world and we want it
We want the world and we want it now *2

And when the broken-hearted people
Living in the world agree
There will be an answer
Let it be

For though they may be parted there is
Still a chance that they will see
There will be an answer, Let it be *3

How many ears must one person have
Before he can hear people cry?
And how many deaths will it take ’till he knows
That too many people have died?
The answer, my friends, is blowin’ in the wind
The answer is blowin’ in the wind *4                        

So the days float through my eyes
But still the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They’re quite aware of what they’re going through                                                                            Ch-ch-ch-ch-changes Turn and face the strange Ch-ch-changes *5

Oh, mirror in the sky, what is love?
Can the child within my heart rise above?
Can I sail through the changing ocean tides?
Can I handle the seasons of my life?
Mmm, mmm, mmm
Well, I’ve been afraid of changing
‘Cause I’ve built my life around you
But time makes you bolder
Even children get older and I’m getting older too *6

Well, I won’t back down
No, I won’t back down
You can stand me up at the gates of hell
But I won’t back down
No, I’ll stand my ground
Won’t be turned around
And I’ll keep this world from draggin’ me down
Gonna stand my ground *7

Let’s get together to fight this Holy Armageddon (One Love!)
So when the Man comes there will be no, no doom (One Song!)
Have pity on those whose chances grows thinner
There ain’t no hiding place from the Father of Creation. Sayin’: “One Love”!                                                                                        What about the One Heart? (One Heart!) What about the – ? Let’s get together and feel all right. I’m pleadin’ to mankind! (One Love!) *8

Lay down your funky weapon, come join us on the floor
Making love and music’s the only things worth fighting for
We are the new power generation, we want to change the world. *9

But it’s been no bed of roses, no pleasure cruise. I consider it a challenge before the whole human race, and I ain’t gonna lose. We are the champions, my friends.                       And we’ll keep on fighting ’til the end. We are the champions. We are the champions.                                                                                                                            No time for losers ‘Cause we are the champions of the world. *10

Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people sharing all the world
You may say I’m a dreamer
But I’m not the only one
I hope some day you’ll join us
And the world will live as one *11

I’m starting with the man in the mirror
I’m asking him to change his ways
And no message could have been any clearer
If you wanna make the world a better place
Take a look at yourself and then make a change
You gotta get it right, while you got the time
Cause when you close your heart
Then you close your mind *12

*1 PRINCE (Let’s Go Crazy 1984)

*2 THE DOORS (When the Music’s Over 1967)

*3 THE BEATLES (Let it Be 1970)

*4 BOB DYLAN (Blowin’ in The Wind 1962)

*5 DAVID BOWIE (Changes 1971)

*6 STEVIE NICKS (Landslide 1973)

*7 TOM PETTY (I Won’t Back Down 1989)

*8 BOB MARLEY (One Love 1977)

*9 PRINCE (New Power Generation 1990)

*10 FREDDIE MERCURY (We are The Champions 1977)

*11 JOHN LENNON (Imagine 1971)

*12 MICHAEL JACKSON (Man in the Mirror 1987) patron_stvital-8137patron_stvital-8118patron_stvital-7946patron_stvital-7981patron_stvital-8040patron_stvital-8158patron_stvital-8011patron_stvital-8286patron_stvital-8362patron_stvital-8061patron_stvital-7958patron_stvital-8127patron_stvital-8049patron_stvital-8300patron_stvital-8213

PHOTOGRAPHY BY: Michael Sanders, Electric Monk Media

STYLING, MODELING, HAIR & MAKEUP BY: Tara Cole-McCaffrey, Patron of Dreams

CONTEMPORARY FASHION: Booties from Rooster. Sunglasses from Urban Waves

VINTAGE FASHION: Denim bellbottoms from Vintage Glory.  Vintage military hat from Antiques and Funk.  Vintage velvet Indian caftan from Shakti.  

*S.O.S = Save Our Souls